Image by Taka. Retrieved from Wikimedia Commons. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
Life gave
what I took
for my own.
I learned
how to seize
with the hands,
how to tear
with the teeth.
I learned
what it felt like
to touch with the lips,
to press with the tongue,
to be surprised by how much
came out
when I broke the surface,
to be covered with sweetness
all over my body.
Now I know.
It’s complicated.
***
What I took
is mine.
I’m learning
how to build
with the hands,
how to hold nails
with the teeth.
Cleaning up
is never
as much fun
as messing up.
Construction
is never
as cathartic
as demolition.
Nails and wood
are not the same thing
as a tree.
They have no power
to give life.
I’m learning
what it feels like
to be covered with sweat
all over my body.
***
What I made
gave life.
It was an accident.
Nobody meant for it to happen
this way.
It just seemed like a good idea
at the time.
The hands that learned
to seize and build.
The teeth that learned
to tear and hold.
The facsimile of a tree.
I wasn’t expecting it
to be alive
when I broke the surface.
I was surprised by how much
came out
and covered me with blood
all over my body.
Image by Helen Filatova. Retrieved from Wikimedia Commons.
Covetous crystals cover my pane,
needling out like evergreen branches,
longing to be what their brothers cover.
Melting heat of inward flame:
anything but this,
anywhere but here.
Not realizing,
to lose longing,
they would not be happy
(they will never be happy),
but they would be.
Yet, this they are.
Otherwise is no option.
Anything is everything.
Anywhere is everywhere.
With heat comes light:
essence of flame in crystal.
Melt.
Evaporate.
Begin again.
Rätikon mountain range in Austria. Image by Böhringer Friedrich
I must confess that I have been hitherto unfamiliar with the poetry of William Wordsworth, but my mind was blown this morning as I came across this passage of his, quoted by Karen Armstrong in The Case for God. It quite simply set my heart on fire. I would point to poetry like this if someone asked me to give my definition of the term “God”:
…I have felt A presence that disturbs me with the joy Of elevated thoughts; a sense sublime Of something far more deeply interfused, Whose dwelling is the light of setting suns, And the round ocean and the living air, And the blue sky, and in the mind of man; A motion and a spirit, that impels All thinking things, all objects of all thought, And rolls through all things.
I don’t have a reason for posting this picture. I just found online somewhere in recent months and I like it. It speaks to me of the presence of the divine (Matthew Fox might say “Cosmic Christ”) in all corners of the universe, even in the deepest parts of the Earth. I see it as a blessing. May it be so.
As the poet Gerard Manley Hopkins once said, “Christ plays in ten thousand places”.
Aw, what the heck, I’ll just go ahead and post the whole poem:
As kingfishers catch fire, dragonflies draw flame;
As tumbled over rim in roundy wells
Stones ring; like each tucked string tells, each hung bell’s
Bow swung finds tongue to fling out broad its name;
Each mortal thing does one thing and the same:
Deals out that being indoors each one dwells;
Selves — goes itself; myself it speaks and spells,
Crying Whát I dó is me: for that I came.
I say móre: the just man justices;
Keeps grace: thát keeps all his goings graces;
Acts in God’s eye what in God’s eye he is —
Chríst — for Christ plays in ten thousand places,
Lovely in limbs, and lovely in eyes not his
To the Father through the features of men’s faces.